Shipulski On Design

Everyone wants to do more innovation.  But how? To figure out what’s going on with their innovation programs, companies spend a lot of time to put projects into buckets but this generates nothing but arguments about whether projects are disruptive, radical innovation, discontinuous, or not.  Such a waste of energy and such a source of conflict.  Truth is, labels don’t matter.  The only thing that matters is if the projects, as a collection, meet corporate growth objectives.  Sure, there should be a short-medium-long look at the projects, but, for the three time horizons the question is the same – Do the projects meet the company’s growth objectives?

To create the causes and conditions for innovation, start with a clear growth objective by geography.  Innovation must be measured in dollars.

Good judgement is required to decide if a project is worthy of resources.  The incremental sales estimates are easy to put together.  The difficult parts are deciding if there’s enough sizzle to cause customers to buy and deciding if the company has the chops to do the work.  The difficulty isn’t with the caliber of judgement, rather it’s insufficient information provided to the people that must use their good judgement.  In shorth, there is poor clarity on what the projects are about. Any description of the projects blurry and done at a level of abstraction that’s too high.  Good judgement can’t be used when the picture is snowy, nor can it be effective with a flyby made in the stratosphere.

To create the causes and conditions for innovation, demand clarity and bedrock-level understanding.

To guarantee clarity and depth, use the framework of novel, useful, successful. Give the teams a tight requirement for clarity and depth and demand they meet it.  For each project, ask – What is the novelty? How is it useful? When the project is completed, how will everyone be successful?

A project must deliver novelty and the project leader must be able to define it on one page.  The best way to do this is to create physical (functional) model of the state-of-the-art system and modify it with the newness created by the project (novelty called out in red).  This model comes in the form of boxes that describe the system elements (simple nouns) and arrows that define the actions (simple verbs).  Think hammer (box – simple noun) hits (arrow -simple verb) nail (box – simple noun) as the state-of-the-art system and the novelty in red – a thumb protector (box) that blocks (arrow) hammer (box).  The project delivers a novel thumb protector that prevents a smashed thumb.  The novelty delivered by the project is clear, but does it pass the usefulness test?

To create the causes and conditions for innovation, demand a one-page functional model that defines and distills down to bedrock level the novelty created by the project.  And to help the project teams do it, hire a good teach teacher and give them the tools, time and training.

The novelty delivered by a project must be useful and the project leader must clearly define the usefulness on one page.  The best way to do this is with a one page hand sketch showing the customer actively using the novelty. In a jobs-to-be-done way, the sketch must define where, when and how the customer will realize the usefulness. And to force distillation blinding, demand they use a fat, felt tip marker. With this clarity, leaders with good judgement can use their judgement effectively. Good questions flow freely. Does every user of a hammer need this? Can a left-handed customer use the thumb guard? How does it stay on? Doesn’t it get in the way? Where do they put it when they’re done? Do they wear it all the time?  With this clarity, the questions are so good there is no escape.  If there are holes they will be uncovered.

To create the causes and conditions for innovation, demand a one-page hand sketch of the customer demonstrating the useful novelty.

To be successful, the useful novelty must be sufficiently meaningful that customers pay money for it.  The standard revenue projections are presented, but, because there is deep clarity on the novelty and usefulness, there is enough context for good judgement to be effective.  What fraction of hammer users hit their thumbs? How often? Don’t they smash their fingers too?  Why no finger protection?  Because of the clarity, there is no escape.

To create the causes and conditions, use the deep clarity to push hard on buying decisions and revenue projections.

The novel, useful, successful framework is a straightforward way to decide if the project portfolio will meet growth objectives.  It demands a clear understanding of the newness created by the project but, in return, provides context needed to use good judgement.  In that way, because projects cannot start without passing the usefulness and successfulness tests, resources are not allocated to unworthy projects.

But while clarity and this level of depth is a good start, it’s not enough.  It’s time for a deeper dive. The project must distill the novelty into a conflict diagram, another one-pager like the others, but deeper.  Like problem definition on steroids, a conflict must be defined in space – between two things (thumb and face of hammer head) – and time (just as the hammer hits thumb).  With that, leaders can ask before-during-after questions.  Why not break the conflict before it happens by making a holding mechanism that keeps the thumb out of the strike zone? Are you sure you want to solve it during the conflict time (when the hammer hits thumb)?  Why not solve it after the fact by selling ice packs for their swollen thumbs?

But, more on the conflict domain at another time.

For now, use novel, useful, successful to stop bad projects and start good ones.

Image credit – Natashi Jay

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